Recently I did a live show where I photographed a pair of earphones. The main purpose of the show was to demonstrate how to photograph earphones based on our fourth photography brief assignment, but there was another lesson I wanted members to take from the shoot: that it’s not about the brand or type of lights you use, but more about your knowledge and understanding of light.
I’ve put together a list of six ideas that you can try next time you’re shooting product photographs. The best part? Most of these ideas don’t require much space and only need some basic equipment. They’re also a great way to practise and refine some important product photography skills while getting creative.
There’s a lot you can do with just two studio lights — trust me, I’ve shot everything from bottle product photography to fashion photography using just two lights. I’ve put together two different examples of two-light setups for portrait photography, product photography, and fashion photography and I’m also going to explain how you could use similar setups to these for your own photography.
It can be easy, when creating an image, to think “I’ll just fix it in Photoshop afterwards”, but that type of mindset may actually be having a negative impact on your photography. I’m not saying I don’t use or don’t approve of Photoshop. I simply prefer to solve problems throughout the shoot, and there are multiple advantages to this approach.
Shooting professional product photography using speedlites isn’t necessarily the easiest way to go about it but it can be done, as I showed in a recent Youtube video where I photographed a clear glass bottle using just three speedlites.
When you apply the knowledge of light, you can achieve professional photography results with little to no equipment. In this article I explain how I managed to create a close replica of a previous wine bottle studio shot using nothing more than natural light from a window, some diffusion material, a reflector, and two iPhones.
You don’t always need a lot of equipment to get creative when it comes to photography. Even if you’re stuck at home (as many of us are at the moment), there are plenty of things you can do to test your skills and develop your creativity using just one light. I’ve put together a list of 10 of our most popular photography classes that you can try yourself at home.
If you’re stuck indoors, there are plenty of ways you can practice photography at home and get creative with just your camera. From natural light portrait photography to simple food photography at home or one light product shoots, here’s a list of 10 creative photoshoot ideas you can try at home.
Levitating burgers, suspended salads and exploding tea — the craze of flying food images is taking over the food photography market. But how are these exciting images created? As with most studio shoots, these images can be divided into four distinct stages: pre-visualisation, preparation, lighting and shooting. Each of these stages is crucial if you’re to get the best result possible.
Photography backgrounds are a key part of any image — they can make or break your photo. Choosing the best backdrop material is crucial, but knowing which one to use can be tricky. To help you make the most of your image, I’ve outlined some key points to think about when selecting a background and included two DIY photography backgrounds that you can easily make.
Fashion photos are a popular genre of photography, but for those starting out it can seem daunting — where do you source outfits, how do you pose your model, how do you get the best lighting? To help you get started I’ve put together this guide to answer some of the most commonly asked fashion photography questions, including how do you become a fashion photographer and what equipment is best for fashion photos. I’ve also provided top tips, some fashion photography lighting setup examples as well as some set ideas.
Take a look at some of the work by Karl Taylor Education student David Lund for the company “Boehmer et Bassenge”, one of the worlds biggest diamond companies. It was the first time that he had taken on a project that was purely a video commission and during the shoot he filmed over £10 million pounds worth of diamonds!