In this bottle photography class, Karl shows you how to craft the perfect lighting setup for a whisky image to be paired with a CGI background.
As Karl begins, he’s confident that the shoot will be straightforward. But it proves to be more challenging than expected, requiring some fascinating problem-solving and producing excellent learning opportunities.
You’ll see Karl experiment with a wide variety of lights and modifiers, including softboxes, scrims, Fresnels, projection attachments, and more.
You’ll also see him use a range of props and reflectors as he works to create beautiful lighting for the bottle, its label, and its contents – plus the accompanying glass.
Particularly interesting are the lengths to which Karl has to go to achieve satisfactory caustics on the wooden surface!
Once he has the various images he needs, Karl moves them into Photoshop. As he merges them and undertakes the necessary retouching – including removing the ‘halo-ing’ so that the bottle sits comfortably against the CGI background – he demonstrates some useful post-production tools and techniques.
He finishes by photographing a cube to help Ethan match up the perspectives of the bottle shot with the CGI background.
In this class:
- Product photography with CGI background
- Lighting techniques for bottle and beverage photography
- Using a scrim in product photography
- How to use reflectors in bottle and beverage photography
- Creating caustics
- Photoshop tools and techniques for bottle and beverage photography
To watch Ethan create the CGI background for this image, check out Chivas Regal Composite CGI.
If you enjoyed this class, be sure to watch Cosmetics Product Shoot Using TV Background.
Questions? Please post them in the comments section below.
© Karl Taylor and Ethan Davis