Making and using Masks

In this Photoshop class, which forms part of a series covering essential Photoshop tools, Karl looks at masks in Photoshop, what they are and how to use them.

Masks are a useful tool that can be used to hide portions of a layer and reveal the layers below. They can be a valuable technique for applying adjustments to particular areas of an image, combining multiple photos into a single image or for removing objects from a photo.

In this class you’ll learn how to invert masks, view a mask, create selections from masks, group masks, mask groups and much more. Through practical demonstrations, you’ll learn how to create and use layer masks to hide or reveal particular areas of an image and apply particular adjustments.

This Photoshop class covers the following:

  • What are masks
  • How to create a layer mask in Photoshop
  • The advantages of using masks
  • Using black/white brushes to hide/reveal part of the mask
  • How to adjust flow and opacity of a mask
  • How to adjust mask edges
  • How to display layer masks
  • Making selections from layer masks
  • Grouping masks
  • Adding masks to groups

If you have any questions about this class, please post in the comment section below.

Key concepts

How to create a mask.

Creating Photoshop masks

How to create a mask in Photoshop.

How to hide/reveal through a mask.

Using masks in Photoshop

Masks can be used to hide or reveal adjustments or areas of an image.

Refining masks.

Refining masks in Photoshop

Masks can be refined by adjusting the density or feather.

Making selections from masks.

Making selections from masks

Selections can be created from masks.

Grouping masks.

Grouping masks in Photoshop

Multiple masks can be grouped together for greater organisation.


  1. Hi Karl. Great site. In your mask tutorials I’m pretty sure you never finish by going into merging or flattening all the masks and layers for the final image. Is there any difference in procedure or end result when doing this? Do you have to treat the masks that are being used any differently to reach the final result?
    Thank you. Andy

    1. Hi Andy, thank you. B&D masks often don’t provide the ‘finished article’ look until they are flattened down into the final image. As I often want to keep the layered files to go back to then instead I use a command (command, option, shift, E) to merge all visible layers together at the top, that then provides me what I need to know especially with very light touch B&D layers which can look a bit patchy on some areas until merged. As you will see in some classes I run a very large PSB file with lots of layers and then it gets to big and I flatten out to a new PSD file with one layer (but keeping any alpha channels for saved selections) and then I’ll carry on working on that file which is faster in PS. Cheers Karl.

  2. Hi, yesterday I had to photographed a 3D crystal engraved with a human face inside, I tested with some lights but it did not worked well, any suggestions for this kind of photography.

    thank you

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