Shooting liquid bubbles with a single speedlite

These sorts of bubble shots are often used for advertising campaigns (such as the famous O2 bubbles) and for different sorts of wall art. The principles and techniques are pretty straight forward if you know how to set up and properly execute the shot, which is exactly what you’ll learn in this class.

Using a single speedlite, Karl demonstrates exactly how to shoot these artistic images using a simple setup that requires very little equipment. He explains the importance of having a fast flash duration to freeze movement, the techniques he uses to create the right bubbles, and how you could get creative with this shot to make it your own.

Class objectives:

  • How to photograph bubbles
  • Liquid photography ideas
  • Speedlite product photography setup
  • Freezing motion with fast flash duration

This class also includes a tutorial on liquid bubbles retouching.

Further related classes that may be of interest include:

If you have any questions about this class please post in the comment section below.

NOTE: This class is available with English subtitles and automatic translations.

Comments

  1. I want to try some product shots using a tank and submerging the hero items. I recently saw a lip stick which was covered with tiny air bubbles.. shot pointing into the tank, but presented upside down from ‘as shot’. The effect was beautiful and is certainly worth considering, but in my mind I pictured something that does not essentially look like its underwater, and I introduce pigments to form clouds or shapes around the items. I have worked with a tank before, but the images were just of the pigments. I made some very interesting shots and learned a great deal about using the pigments and having to refill and empty the tank after every few shots (which was a pain). Squeegee was important tool to help with tiny bubbles on the inside glass, but do you have any suggestions concerning removing the tiny bubbles from the product.. perhaps a small paint brush? As well, when using pigments or dyes, is it a matter of getting the base shot, then compositing additional elements throughout? I also was wondering if there were any other considerations that comes to your mind to make the objects not look like they are submerged, that I may not be considering. Any helpful advice?

    1. Hi Gary, a lot of things in there! Yes a brush can help remove bubbles. Bubbles usually from from imperfections on the product as they need to grip something. For your pigments try printer dyes mixed with double cream and kept in a fridge for an hour.

      1. I had used artist inks.. but would never have thought of using printer dyes and cream. I will give that a try.

  2. Brilliant video and love the simple setup. One question, how do you manage reflections coming off the front glass of the tank?

    1. Hi, as long as your light source is not in front of the tank and your shutter speed is high enough then you’ll cut out any ambient reflections but the best way is to create a dark fabric cover from the edge of the tank over the camera or a black cardboard cone from the lens hood to the tank.

  3. This is very nice, I can try it once I get a fish tank. I use Canon as well. Can I use high sync mode to fire flash faster?
    Happy shooting 🙂

      1. Thanks Karl. I am hobbyist and never bothered to learn deep in to it , I started on that course. I actually cancelled my membership as I lost my job but I will come back once I find one :). Really like the teaching. I am setting up my second bedroom as studio so that I can experiment stuff 🙂 Could you please add more videos for hobbyist people like using flashlights or how to help regular people to pose and angles of the camera/lighting, working with different skin tones (like Asians)? As most of them do not have such expensive equipment.

  4. If you used the Canon dslr would you have to ensure the ambient was not affecting the exposure as the synch speed is 1/200th max,cheers Rob

    1. Hi Robert, yes that’s exactly right but you’d probably be also shooting at small aperture like f16 for greater depth of field so very little ambient light would get it. Just shoot in a dimly lit room and you can test this first by take a shot without the flash and seeing if any ambient light is recorded.

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