Precision lighting

Karl brings together a number of small pockets of light in this tricky but effective four light demonstration for a moody yet elegant final image.

This photography class clearly shows you how to effectively use low levels of light and strong contrast to create a sense of mystery. Using careful control of his lights and precise modifiers, Karl highlights key features of the image, subtly drawing the viewers eye to the pieces of jewellery on his model, Deborah.

In this photography class we cover the following:

  • Studio photography: How to shoot beauty images
  • How to shoot creative beauty images using four lights
  • How to control shadows to create pockets of light
  • How to photograph jewellery
  • How to underexpose an image for creative effect
  • How to use hard light for beauty photography

NOTE: This course is available with English subtitles

Comments

  1. My question might be a little bit off topic. But if you want to add to the jewellery more gold colour rather than leaving it dark as it is, what should we do ? I understand that this darkness is due to the reflections of dark surfaces due to the moody light setup you create. but the reason behind my question is that I was doing a moody shot for a jewellery brand and their comment on the shot that the photo is nice but they can’t really see the shape of their product and I had to change the whole idea of the shot for this comment.

    1. Hi Kamal, then it sounds as if you would need to create a composite image where you light the jewellery with softer gradient lighting and reflectors around the subject and then remove all of that and create the darker moodier look with alternative lighting and then combine the two image in post.

  2. Hi Karl, this is very interesting lighting, what’s the difference between a snoot and a tight grid? it seems they are both focusing the lights.

    1. Hi Jason, they are both tight focusing lights but generally a grid will have a softer feathering of light at it’s perimeter.

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