When it comes to photography, ‘exposure’ is a term you’ll hear often. Quite simply, exposure refers to the brightness or darkness level of an image.
We can control the exposure of an image using the two main mechanical functions of a camera: shutter speed and aperture. Using these two functions, either individually or in combination, allows us to control the amount of light that reaches the sensor to record an image, as you see me demonstrate in this video.
Shutter speed refers to the length of time the shutter remains open when recording an image. The slower the shutter speed, the longer the shutter stays open, allowing more light to reach the recording medium. Faster shutter speeds mean the shutter stays open for a shorter duration and less light is recorded.
Aperture refers to the opening in a lens through which light passes before reaching the recording medium. The greater the size of the hole, the more light passes through, and vice versa. Aperture is recorded in f-stops and shown as f1.2, f5.6, f16 etc. The lower the number, the larger the aperture and the more light that can be recorded.
To correctly expose an image, you need to find a balance between both shutter speed and aperture, which you can do by using your camera in Manual mode while referring to the built in light meter (as you would have seen in the video above).
We can add or subtract stops of light by changing the aperture or shutter speed. A change in any setting that doubles or halves the amount of recorded light is known as a one stop change. For example, a change from 1/125 to 1/250 will decrease the exposure by one stop. Opening the aperture from f16 to f8 will result in a two-stop increase.
By controlling these settings yourself using Manual mode, you’ll have the greatest amount of control over what your final image looks like.
The exposure seesaw
When it comes to adjusting your settings, try to think about exposure as a seesaw. If you change either shutter speed or aperture, the other will have to be adjusted accordingly to maintain that balance. For example, if you increased your shutter speed by two stops, you would have to open your aperture by the same amount.
Determining the correct exposure
Once you’ve understood aperture, shutter speed and one-stop changes, the next thing to understand is how to get the right exposure. This is a question that comes up a lot and is something many photographers struggle with.
There are a couple of technical ways that can help guide you with achieving the best exposure, but essentially you should determine exposure based on the creative look you’re going for.
One of the features you can use to help you is your camera’s built in light meter, which you can see through your viewfinder. Most cameras have a meter from -3 to +3 stops, with 0 indicating the ‘correct’ exposure (this is according to your camera). Anything to the left of 0 (in the minus) is considered to be under-exposed and anything to the right (in the plus) is considered to be over-exposed.
Light meters in different camera brands can look slightly different, but essentially they all tell you the same thing. For more examples of in-camera light meters, please see the complimentary e-book.
The histogram is another way to judge exposure, but unlike your camera’s light meter, you can only use this after you’ve taken your picture. A well exposed image will have a histogram that is evenly spread from edge to edge without any gaps. The left side of the histogram represents the blacks and shadows in an image and the right side represents the whites and highlights.
You can view the histogram for an image on your camera or in photo editing software.
Here you can see a histogram on the back of a camera.
It is important that you don’t get too caught up in what your light meter or histogram are telling you as often the scene you’re photographing can confuse your camera. For example, your camera might think a shot of a white cat in the snow is overexposed and overcompensate until you have a grey cat on grey snow, the same way it might also struggle with something like a black dog on a black blanket and try to increase the exposure until you have a grey dog and grey blanket.
Remember that it’s your image and you should make the creative decisions, not the camera. Over time, with practice, you’ll be able to better judge what exposure you want and how to achieve it.
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